Principal Compositions 2016 – Present:
| Rise Fixed electroacoustic work about the ongoing 2022 revolution of Iran, and the Woman, Life, Freedom movement, using sounds gathered from videos of protests, news reports and talks circulating on social media platforms (Instagram, Twitter, Facebook) during the first 3 months of the uprising: October-December 2022 |
2022 |
| Data Dialogues Live-improvised, data-driven computer music exploring the relationship between the performer and the data using an ensemble of modular synthesiser and custom-built, machine-learning-based Max/MSP patches |
2022 |
| Teatime Original fixed-audio acousmatic piece composed for short Dance Film directed by Kathryn Fisher |
2021 |
| Modulating the Modular Live-improvised, solo, data-driven, computer-music using an ensemble of modular synthesiser and custom-built Max/MSP patches |
2021 |
| emerge>consume>depart (Metastasis) Live-improvised, data-driven Audiovisual work exploring Metastasis in cancer cells using the sonification of protein/RNA data from cancer research |
2021 |
| Malignant Angiogenesis Live-improvised, data-driven Audiovisual work exploring Angiogenesis in cancer cells using the sonification of protein/RNA data from cancer research |
2021 |
| Immortality Fixed, multi-channel, Ambisonic, acousmatic/computer-music work exploring Immortalization in cancer cells using the sonification of protein/RNA data from cancer research |
2020 |
| Random Walk OCD Live-coding, improvised work realised in SuperCollider, exploring spoken words, microtonal pitch and gestural articulation in Persian Folk Music |
2020 |
| Improvisation in Šur Live-coding, improvised work realised in SuperCollider, exploring microtonal pitch and gestural articulation in the Šur mode in Persian Folk Music |
2020 |
| Improvisation in Rāst-Panggah Live-coding, improvised work realised in SuperCollider, exploring microtonal pitch and gestural articulation in the Rāst-Panggah mode in Persian Folk Music |
2020 |
| Cell Death by Apoptosis Fixed computer-music work exploring apoptosis in cancer cells using the sonification of protein/RNA data from cancer research |
2020 |
| Malignant Grains Live-improvised, data-driven computer-music, exploring concatenative synthesis using the sonification of protein/RNA data from cancer research |
2020 |
| Evading Fixed, acousmatic/computer-music work exploring the evading of tumour growth suppressors in cancer cells, using the sonification of protein/RNA data from cancer research |
2019 |
| Sustaining (an Ecological Neoplasm) Fixed, acousmatic/computer-music work exploring the link between climate change denial rhetoric and cancer, using extracted interviews and talks given by climate change deniers alongside the sonification of protein/RNA data from cancer research |
2019 |
| Three Hallmark Etudes Three fixed computer-music etudes, exploring the sonic conceptualisation of three different bio-molecular hallmarks of cancer |
2019 |
| Hours of Oncogene (in three movements) Fixed computer-music work exploring sonic narratives in sounds generated via the sonification of protein/RNA data from cancer research |
2018 |
| Agua Song cycle written for Soprano and Piano in five movements exploring the theme of water, featuring poems written by Federico García Lorca |
2017 |
| Death in four movements Mixed-media, acousmatic work for Piano, Voice and Electronics using recorded sounds from the human mouth |
2017 |
| Lolotte Mixed Media: Acousmatic soundscape + instrumental music, written for Modigliani’s portrait titled ‘Lolotte’, commissioned by the HEAR installation |
2016 |
| A Desert Parley Four-hand piano duet commissioned by the Balance Festival |
2016 |
| Mother Pig’s Carousel Mixed Media: Acousmatic soundscape + instrumental music, written for the giant paper sculpture titled ‘Mother Pig’, commissioned by the Giant Paper Sculptures installation |
2016 |
| (De)Construction Acousmatic work in two movements, exploring plunderphonics, using one of the tracks from the latest LP produced by the Alternative/Nu metal band ‘Achromatic’ |
2016 |
| Sentences Experimental, atonal work for solo Clarinet in two movements |
2016 |
| Hans Christian Andersen’s Magical Tales Original soundtrack composed for student radio play written by Lizzie Hopley, directed by Scott Handcock |
2016 |
Performances & Featured Works 2016 – Present:
| Live Improv no.2 Live-improvised performance with Simon Smith, as part of EMOM (Electronic Music Open Mic) at Centrala Gallery, Birmingham UK |
2022 |
| Drone Bath Live group improvisation in Drone Bath concert organised by BMO (Birmingham Modular Organisation) @ Moseley Baths, Birmingham, UK |
2022 |
| Live Improv no.1 Performance with Simon Smith in BEAST FEaST 2022: Resonances @ University of Birmingham, Birmingham, UK |
2022 |
| Immortality featured in BEAST FEaST 2022: Resonances @ University of Birmingham, Birmingham, UK |
2022 |
| Group Improvisation by Birmingham Ensemble for Electroacoustic Research (BEER) Live-improvised, audiovisual performance in Eastern Incantations concert series @ Centrala Gallery, Birmingham, UK |
2022 |
| Data Dialogues Live improvisation in BEAST@Centrala concert as featured artist @ Centrala Gallery, Birmingham, UK |
2022 |
| Sustaining (an Ecological Neoplasm) Live diffusion in BEASTdome concert @ University of Birmingham, UK |
2021 |
| Modulating the Modular Live improvisation, in Responses X Closing Night of ‘Modal Interlacement’ exhibition @ Centrala Gallery, Birmingham, UK |
2021 |
| Evading Online feature in klingt gut! KLG 2020/21, 5th International Symposium on Sonic Art and Spatial Audio @ HAW Hamburg, Germany |
2021 |
| Malignant Angiogenesis Live audiovisual improvisation in BEAST FEaST 2021 Recalibration @ University of Birmingham, UK |
2021 |
| Cell Death by Apoptosis Online feature in further_in x BEAST on Twitch and YouTube |
2021 |
| Cell Death by Apoptosis Online feature in The Takeover on Reform Radio, UK |
2020 |
| Cell Death by Apoptosis Online feature in BEAST FEaST 2020 |
2020 |
| Malignant Grains Live improvisation in BEASTdome/ CrossCurrents+ @ University of Birmingham, UK |
2020 |
| BEAST Collective Live improvisation in BEASTdome/ CrossCurrents+ @ University of Birmingham, UK |
2020 |
| Evading Live diffusion in BEAST @ KMH Stockholm, Sweden |
2019 |
| Sustaining (an Ecological Neoplasm) Live diffusion in BEAST FEaST 2019 ▶▶fast-forward▶◀rewind◀◀ @ University of Birmingham, UK |
2019 |
| Hours of Oncogene Live diffusion in Loudspeaker Orchestra concert @ St Alfege Church Greenwich, UK |
2019 |
| Hours of Oncogene Live diffusion in BEASTdome Music-Bodies-Machines concert @ University of Birmingham, UK |
2018 |
| Agua Song Cycle + Death in four movements Live performance in Atmospheres festival @ RWCMD Cardiff, UK |
2017 |
| Lolotte Live feature in the HEAR Installation @ RWCMD Cardiff, UK |
2016 |
| All Fiddles Hoay Live diffusion in Illuminations – A Collaborative Concert of Contemporary Music and Lighting @ RWCMD Cardiff, UK |
2016 |
| A Desert Parley Live performance in Balance Festival @ RWCMD Cardiff & Bargehouse London, UK |
2016 |
| Mother Pig’s Carousel Live feature in the Giant Paper Sculptures Installation, @ RWCMD Cardiff, UK |
2016 |
Milad Mardakheh 