Principal Compositions 2016 – Present:
| Data Dialogues Live-improvised, data-driven computer music exploring the relationship between the performer and the data using an ensemble of modular synthesiser and custom-built, machine-learning-based Max/MSP patches |
2022 |
| Teatime Original fixed-audio acousmatic piece composed for short Dance Film directed by Kathryn Fisher |
2021 |
| Modulating the Modular Live-improvised, solo, data-driven, computer-music using an ensemble of modular synthesiser and custom-built Max/MSP patches |
2021 |
| emerge>consume>depart (Metastasis) Live-improvised, data-driven Audiovisual work exploring Metastasis in cancer cells using the sonification of protein/RNA data from cancer research |
2021 |
| Malignant Angiogenesis Live-improvised, data-driven Audiovisual work exploring Angiogenesis in cancer cells using the sonification of protein/RNA data from cancer research |
2021 |
| Immortality Fixed, multi-channel, Ambisonic, acousmatic/computer-music work exploring Immortalization in cancer cells using the sonification of protein/RNA data from cancer research |
2020 |
| Random Walk OCD Live-coding, improvised work realised in SuperCollider, exploring spoken words, microtonal pitch and gestural articulation in Persian Folk Music |
2020 |
| Improvisation in Šur Live-coding, improvised work realised in SuperCollider, exploring microtonal pitch and gestural articulation in the Šur mode in Persian Folk Music |
2020 |
| Improvisation in Rāst-Panggah Live-coding, improvised work realised in SuperCollider, exploring microtonal pitch and gestural articulation in the Rāst-Panggah mode in Persian Folk Music |
2020 |
| Cell Death by Apoptosis Fixed computer-music work exploring apoptosis in cancer cells using the sonification of protein/RNA data from cancer research |
2020 |
| Malignant Grains Live-improvised, data-driven computer-music, exploring concatenative synthesis using the sonification of protein/RNA data from cancer research |
2020 |
| Evading Fixed, acousmatic/computer-music work exploring the evading of tumour growth suppressors in cancer cells, using the sonification of protein/RNA data from cancer research |
2019 |
| Sustaining (an Ecological Neoplasm) Fixed, acousmatic/computer-music work exploring the link between climate change denial rhetoric and cancer, using extracted interviews and talks given by climate change deniers alongside the sonification of protein/RNA data from cancer research |
2019 |
| Three Hallmark Etudes Three fixed computer-music etudes, exploring the sonic conceptualisation of three different bio-molecular hallmarks of cancer |
2019 |
| Hours of Oncogene (in three movements) Fixed computer-music work exploring sonic narratives in sounds generated via the sonification of protein/RNA data from cancer research |
2018 |
| Agua Song cycle written for Soprano and Piano in five movements exploring the theme of water, featuring poems written by Federico García Lorca |
2017 |
| Death in four movements Mixed-media, acousmatic work for Piano, Voice and Electronics using recorded sounds from the human mouth |
2017 |
| Lolotte Mixed Media: Acousmatic soundscape + instrumental music, written for Modigliani’s portrait titled ‘Lolotte’, commissioned by the HEAR installation |
2016 |
| A Desert Parley Four-hand piano duet commissioned by the Balance Festival |
2016 |
| Mother Pig’s Carousel Mixed Media: Acousmatic soundscape + instrumental music, written for the giant paper sculpture titled ‘Mother Pig’, commissioned by the Giant Paper Sculptures installation |
2016 |
| (De)Construction Acousmatic work in two movements, exploring plunderphonics, using one of the tracks from the latest LP produced by the Alternative/Nu metal band ‘Achromatic’ |
2016 |
| Sentences Experimental, atonal work for solo Clarinet in two movements |
2016 |
| Hans Christian Andersen’s Magical Tales Original soundtrack composed for student radio play written by Lizzie Hopley, directed by Scott Handcock |
2016 |
Performances & Featured Works 2016 – Present:
| Live Improv no.1 Performance with Simon Smith in BEAST FEaST 2022: Resonances @ University of Birmingham, Birmingham, UK |
2022 |
| Immortality featured in BEAST FEaST 2022: Resonances @ University of Birmingham, Birmingham, UK |
2022 |
| Group Improvisation by Birmingham Ensemble for Electroacoustic Research (BEER) Live-improvised, audiovisual performance in Eastern Incantations concert series @ Centrala Gallery, Birmingham, UK |
2022 |
| Data Dialogues Live improvisation in BEAST@Centrala concert as featured artist @ Centrala Gallery, Birmingham, UK |
2022 |
| Sustaining (an Ecological Neoplasm) Live diffusion in BEASTdome concert @ University of Birmingham, UK |
2021 |
| Modulating the Modular Live improvisation, in Responses X Closing Night of ‘Modal Interlacement’ exhibition @ Centrala Gallery, Birmingham, UK |
2021 |
| Evading Online feature in klingt gut! KLG 2020/21, 5th International Symposium on Sonic Art and Spatial Audio @ HAW Hamburg, Germany |
2021 |
| Malignant Angiogenesis Live audiovisual improvisation in BEAST FEaST 2021 Recalibration @ University of Birmingham, UK |
2021 |
| Cell Death by Apoptosis Online feature in further_in x BEAST on Twitch and YouTube |
2021 |
| Cell Death by Apoptosis Online feature in The Takeover on Reform Radio, UK |
2020 |
| Cell Death by Apoptosis Online feature in BEAST FEaST 2020 |
2020 |
| Malignant Grains Live improvisation in BEASTdome/ CrossCurrents+ @ University of Birmingham, UK |
2020 |
| BEAST Collective Live improvisation in BEASTdome/ CrossCurrents+ @ University of Birmingham, UK |
2020 |
| Evading Live diffusion in BEAST @ KMH Stockholm, Sweden |
2019 |
| Sustaining (an Ecological Neoplasm) Live diffusion in BEAST FEaST 2019 ▶▶fast-forward▶◀rewind◀◀ @ University of Birmingham, UK |
2019 |
| Hours of Oncogene Live diffusion in Loudspeaker Orchestra concert @ St Alfege Church Greenwich, UK |
2019 |
| Hours of Oncogene Live diffusion in BEASTdome Music-Bodies-Machines concert @ University of Birmingham, UK |
2018 |
| Agua Song Cycle + Death in four movements Live performance in Atmospheres festival @ RWCMD Cardiff, UK |
2017 |
| Lolotte Live feature in the HEAR Installation @ RWCMD Cardiff, UK |
2016 |
| All Fiddles Hoay Live diffusion in Illuminations – A Collaborative Concert of Contemporary Music and Lighting @ RWCMD Cardiff, UK |
2016 |
| A Desert Parley Live performance in Balance Festival @ RWCMD Cardiff & Bargehouse London, UK |
2016 |
| Mother Pig’s Carousel Live feature in the Giant Paper Sculptures Installation, @ RWCMD Cardiff, UK |
2016 |
Milad Mardakheh 